Sep 21 2015
Recommended: João Lencastre’s Communion – “What Is This All About?”
This album’s drunken personality is positively charismatic. This is music where cadence comes about woozily and just inches from stumbling to the ground and where harmonies flirt with going out of synch and maybe off the hinges, too, and yet each time it feels like it’s all going to come toppling over, João Lencastre’s Communion ensemble lets loose the most enchanting melodic statement, and between its riveting beauty and succinct coherency, the mere existence of this lyrical statement brings the song back into balance with the sense that everything was under control all along. That is what you get on What Is This All About?
The ensemble comes charging right out of the gate on “View Over the Palace,” spurred on by Lencastre’s drums. And while the shout to the skies melodic statements from alto saxophonist David Binney and trumpeter Phil Grenadier will capture the most attention, the tone set right from the start by pianist Jacob Sacks and bassist Thomas Morgan with a series of low, resonant flurries is what immediately ushers the ear in through the door and sits it down for all the wild fun.
“The House of Fun” has an infectious bounce and all kinds of asides and tangential comments from the ensemble, like a series of stream-of-conscious conversations that enter into a confluence for a time before breaking off again. “Kubrick” goes from bold pronouncements to mumbling incoherently under its breath to a patient, ebullient expressiveness that pulls everything together.
“The Game” has an ambient, driving intro right out of a Radiohead tune, then impressively slips into a straight-ahead post-bop passage before coming to a place where both sounds can coexist in harmony. Furthermore, that straight-ahead section was a nice set-up for the jazz arrangement of Brahms’ “Opus 39 N.9,” which has Lencastre kicking up a fury on drums as the backdrop to Jacob Sacks’ thoughtful and patient piano contribution.
The title-track emphasizes the anthemic nature inherent in so many of these tunes. Of particular interest here is the way guitarist André Matos flashes past the slow, proud statements of melody with a series of wind sprints that shade the edges of that melody while simultaneously adding texture to the rhythmic groundwork.
“Lucky River” and “Picture” both straddle the line where off-the-cuff looseness meets post-bop conventionalism. The former track shows how weighting it toward structure is just as effective (and enjoyable) as the latter track’s approach to shaking off the sense of shape and form.
The album ends on a quiet note with “Alma.” It’s a simple tune spoken with a soothing tone, and it shows that the essential lyricism that is the heart of this recording can shine brightly all on its own, like candlelight without a wax stem or enveloping darkness… a sublime, gentle beauty.
This album was released at the tail-end of 2014, after I’d already submitted all my Best of 2014 lists. Had it come out sooner in the year, it would’ve received year-end consideration. Go buy it. It’s a fun, wonderfully expressive recording.
Your album personnel: João Lencastre (drums, prophet synth), David Binney (alto sax), Phil Grenadier (trumpet), Jacob Sacks (piano), André Matos (guitar), Thomas Morgan (double bass) and guests: Sara Serpa (voice), Tiago Bettencourt (voice), Ary (modular synth efx) and Benny Lackner (wurlitzer).
Released November 2014 on Auand Records.
Listen to more of the album at the artist’s Bandcamp page.
Jazz from the Lisbon, Portugal scene.
Jan 17 2016
The Music of Kate Olson
Let’s begin.
Syrinx Effect – Snail Songs
This trend continues on “Another Day of Rain,” as the song shakes off the sleepiness of the previous track and jumps out of bed all bright-eyed and ready to tackle the day ahead. The same pattern of wind-unravel continues here, but with more exuberance and occasionally broken up by lovely, long pauses of harmonies exhaled slowly in contrast to the song’s predominant boisterousness.
“Respired By” returns to a state of tranquility, and the gentle susurrant harmonies accentuate that state of peace even at their peak. “Flight Case” shows its playful side. The sense is of many bodies in motion bouncing off one another in a very tight space. Sometimes there’s no direction to go but up.
Your album personnel: Kate Olson (soprano sax) and Naomi Siegel (trombone).
This Self-Produced album was released in 2014.
Listen to more of the album at the artist’s Bandcamp page.
Visit the Syrinx Effect site.
Available at: Bandcamp
*****
Cagematch – Missing the End All
The two-part “Orb Weaver” is the best example of the trio’s seemingly contradictory motives/results. The music transforms from a soundtrack for a celebration into a cry to attack… and then, interestingly, settles into a contemplative eye-of-the-storm peacefulness before surging back up into a wall of intensity and crashing the whole thing down.
The polar opposites “The Snow Leopard” and “Beneath the Pony” define the extremes of this trio’s wheelhouse. The former has a dreamy presence and is delivered like a lullaby while the latter pours gasoline over a melody and lights it on fire.
The album ends back in the trio’s sweet spot of melody and motion with “Phonological Loop.” Some twirling motion from sax, a personable twang from guitar, and nice conversational chatter from percussion that spurs the discussion to ever more lively imagery and activity.
Your album personnel: Kate Olson (soprano sax, effects), Gary Prince (electric guitar, effects) and Tim Cohen (percussion).
This Self-Produced album was released in 2014.
Listen to more of the album at the artist’s Bandcamp page.
Available at: Bandcamp
*****
Only Trio – Only Trio
Your album personnel: Kate Olson (soprano sax), Steve O’Brien (trumpet), Jacob Herring (trombone) and Joe Eck (drums).
This Self-Produced album was released in 2014.
Listen to more of the album on the artist’s Bandcamp page.
Available at: Bandcamp
*****
Wayne Horvitz & The Royal Room Collective Music Ensemble – At the Reception
This session is nicely straight-ahead, offering up a full sound to complement Horvitz’s sharp lyricism. I’ll be running down the particulars of this recording in a separate Wayne Horvitz themed column, but I wanted to give it a mention here just to further illustrate the expanse of Olson’s creative wingspan. Also, it’s a great recording. Go pick it up.
Your album personnel: Wayne Horvitz (composer, conductor), Kate Olson (soprano sax), Al Keith, Samantha Boshnack, Steve O’Brien (trumpets), Naomi Siegel, Jacob Herring, Willem de Koch (trombones), Beth Fleenor (clarinet), Ivan Arteaga (alto sax), Skerik (tenor sax), Greg Sinibaldi (baritone sax), Ryan Burns (piano), Geoff Harper (bass) and Eric Eagle (drums).
Released in 2014 on Songlines Recordings.
Listen to other album tracks on the label’s Soundcloud page.
Available at: eMusic | Amazon
*****
Uneasy Chairs – With Kate Olson
Your album personnel: Kate Olson (flute, electronics) and Patrick Neill Gundran (guitar, effects, editing).
This Self-Produced album was released in 2015.
It’s a free download on the Uneasy Chairs Bandcamp page (LINK).
*****
The KO Ensemble
And it’s not all strange and curious music from Olson. Her KO Ensemble is straight-ahead jazz, a fastball right over the heart of the plate, and it’s just as terrific as her more unconventional projects. What’s especially gratifying about this project is that it provides her the space to reveal the extent of her lyricism and to bring it to full bloom. The melodic fragments she spins and weaves into the framework of her jazz-on-the-fringes music certainly possesses an evocative beauty, but to hear her exhale a melody in a more familiar environment really allows her talent to shine.
If the music embedded below originates from her 2015 birthday show, then this would be the personnel: Kate Olson (soprano sax), Robby Beasley (trumpet), Naomi Siegel (trombone), Simon Henneman (guitar), Geoff Harper (bass) and Eric Eagle (drums).
Listen to more of this music at the artist’s Soundcloud page (LINK).
*****
And though I’ve featured a handful of Olson’s music, there’s always more to discover. I’d begin first on Kate Olson’s Soundcloud page (LINK).
***
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By davesumner • Artist Overviews, I Listen To All Of This, Jazz Recommendations, Jazz Recommendations - 2014 Releases • 0