Feb 18 2015
Recommended: Fresh Cut Orchestra – “From the Vine”
Considering how the Fresh Cut Orchestra is comprised of bandleaders drawn from a diverse group of projects, From the Vine displays an impressive solidarity. Yes, the varied influences are all there and show their faces throughout this debut, providing the album with depth and substance to back up its engaging personality. And FCO co-leaders Jason Fraticelli, Josh Lawrence and Anwar Marshall deftly balance the importance of reflecting a myriad of traits with that of bundling it all up into something cohesive. But it’s the way in which the ensemble is able to present an all-encompassing voice and a solitary point of view that really clinches the success of this outstanding recording.
The heart of the album is the six-part “Mothers’ Suite,” which draws its inspiration from a recent passing of a family member and, soon after, an addition to the same family. The profoundly felt emotions that draw upon the experiences of death and life shine strongly from these tracks.
The opening section, “Birth Of A Child, Birth Of A Mom,” with its swirling mists of keyboards, effects and the sound of birds calling out create an ambient tone that is positively cathartic. This is further enhanced when the wind instruments make their entrance with lovely washes of harmony.
Those harmonies continue on “Mother’s Love,” but now by booming out with a celebratory note and a sunnier disposition, and providing the space for a saxophone to break from the fold and solo atop the strong rhythmic currents.
Those rhythmic currents grow even stronger on “Ritual Of Take,” and grows increasingly dense with details, while bassist Fraticelli burrows a melody just beneath its surface. For a song that is all about the percussion, the song is strikingly tuneful.
The pronounced effect of the bass is continued on “Elegy For A Mom.” Evocative, ferocious.
Part four of the suite, “The Funeral,” is serious blues. Piano brings the heavy contemplation, while guitar contributes an uplifting expression of melancholy, which, in turn, is balanced nicely by the solemn harmonies from the wind instruments.
“Migration Of Spirit” explodes right out of the gate with guitar screams and hard-charging drums. On the other hand, the suite’s final act, “The Reawakening” has the reverential, yet celebratory tone and warmth of a New Orleans funeral march.
The album ends with two tracks that are not part of the “Mothers’ Suite,” and, thankfully, they fall naturally into the flow of the album. “Uptown Romance” is a nifty large ensemble ballad, full of life and feeling and an eye for the heartstrings… and the first instance of something that qualifies as straight-ahead. Conversely, the album ends with the least straight-ahead tune. “Sanguine” has an ingenuous mix of jazz ballad, lounge, R&B and rock… a formula that renders the music less like something found in the Jazz section and something more akin to the genre-crossing intelligence of Prince’s out-there experiments.
It’s a smart way to end an album that, all throughout, devises a method to give unclassifiable music a distinctive, recognizable sound.
Your album personnel: Josh Lawrence (trumpet, flugelhorn), Jason Fraticelli (upright bass), Anwar Marshall (drums), Mark Allen (saxophones), Mike Cemprola (saxophones), Brent White (trombone), Brian Marsella (piano, keyboards), Matt Davis (guitar), Tim Conley (guitar, laptop electronics) and Francois Zayas (percussion).
Released on Ropedope Records.
Jazz from the Philly scene.
Available at: Bandcamp | Amazon | eMusic
Feb 19 2015
This Is Jazz Today (Part I): Fresh Cut Orchestra, Alban Darche Stringed, Nordmann and more!
I couldn’t figure out why there were so many scheduled releases set for February 17th, and then it struck me… that’s my birthday. Aw shucks, Jazz People, you shouldn’t have. No, really, don’t do that again. I couldn’t even celebrate my birthday because of all the new albums to go through.
About those new albums… I had to split this week’s This Is Jazz Today column into two parts. Today is Part One and tomorrow is Part Two. Conveniently, each day will feature one of the two co-Picks of the Week. And the Featured Five will now become the Featured Six, so that I can have an equal number of them each day. Twenty recommendations in all, ten per day. And quite frankly, there were more than two recordings that had a strong claim to earn the top spot. Damn, this was a strong week. So, I split it in two.
Have I made this more complicated than it needed be? Probably. Couldn’t I just have loaded up a ton of recommendations in one single column like I have so many other times before? Well, you make a good point. Am I going to persist in delaying the discovery of great new music by allowing this intro to continue endlessly? Oh, hey, yeah, sorry about that…
Let’s begin…
*** The Featured Three ***
Fresh Cut Orchestra – From the Vine
Considering how the Fresh Cut Orchestra is comprised of bandleaders drawn from a diverse group of projects, From the Vine displays an impressive solidarity. Yes, the varied influences are all there and show their faces throughout this debut, providing the album with depth and substance to back up its engaging personality.
Read more about why I recommend this album… (LINK).
co-Pick of the Week.
Released on Ropedope Records. Visit the artist site.
More listening | Buy: Bandcamp – Amazon – eMusic
*****
Alban Darche Stringed – L’Horloge
Saxophonist Alban Darche creates curiously beautiful music. There’s something supremely enchanting about his work, even if it’s often difficult to explain why. His music is typically unconventional and downright strange, so it’s interesting to hear him partner up with a quintet of stringed instruments. It definitely puts his haunting melodies and acrobatic solos in a new light. I’ve got a pretty decent draft going that documents his various projects. For now, dig into his newest.
Released on Cristal Records. Visit the artist site.
More listening | Buy: Amazon
*****
Nordmann – Alarm!
A very fun and absorbing session from the Nordmann quartet, who dish out the rock as often as they do jazz. When sax speaks, it often does so in a clipped language, with a brevity that doesn’t diminish its melodic strength. The guitar sometimes roars aloud, but is more effective when threading thin lines of melody and rhythm both. The bass & drums duo drive things along plenty, but it’s their playfulness with tempo when they emerge at their strongest. Good stuff.
Released on W.E.R.F. Records. Visit the artist site.
More listening | Buy: eMusic – Amazon
*****
*** And seven more ***
Duchess – Duchess (Anzic)
Fun recording from the vocal trio of Amy Cervini, Hilary Gardner and Melissa Stylianou. Backed by a quintet of pro’s pros, the ladies swing while they sing. All the warmth of a friendly embrace, all the fun of a day spent with good friends.
Artist site | Buy: Bandcamp – Amazon
*****
John Stowell-Michael Zilber Quartet – Live Beauty (Origin)
Nice live set from a sax-guitar-bass-drums quartet. Zilber’s effusive attitude on sax matches well with Stowell’s tastefulness on guitar. Plenty to like on this straight-ahead modern jazz session.
Artist site | Buy: Amazon
*****
PLS Trio – East River (Echo Chamber)
Piano trio that doesn’t hold back on the electric instruments or their effects. None of the songs possess much gravitas, but the trio knows how to shape some seriously pretty melodies. Lots of catchy tunes and easy to like.
Artist site | Listen | Buy: Bandcamp eMusic CDBaby Amazon
*****
Lucas Pino – No Net Nonet (Origin)
Nice straight-ahead set from saxophonist Pino. His nonet attains a strong head of steam and doesn’t relinquish it. Best is just sitting back and listening to their flight patterns.
Artist site | Buy: Amazon
*****
Andrew Drury – Content Provider (Self-Produced)
This is not an album; it’s a fist. It pummels the listener until they begin to like the beating. From the pain of dissonance comes a strangely appealing tunefulness and groove.
Artist site | Listen | Buy: Bandcamp
*****
Lage Lund – Idlewild (Criss Cross)
The shimmering effect guitarist Lund gives to straight-ahead modern jazz provides it with some differentiation that goes a long way. Trio session scoots right along at times, but it’s the peaceful moments that hold sway. Excellent stuff.
Artist site | Buy: Amazon
*****
Charles McPherson – The Journey (Capri)
Solid straight-ahead quintet session from the jazz veteran. McPherson’s alto sax matched up with a tenorman provides both harmonic depth and some fun when they trade fire during solos. Those who aren’t so much for the modern scene, this one will fit like a glove.
Artist site | Buy: Amazon
*****
Have a great time digging through the list!
And remember, it’s simple: You like what you like.
Cheers.
*****
And be sure to check back in tomorrow for PART II of this week’s This Is Jazz Today
(LINK)
*****
Like this:
By davesumner • Jazz Recommendations, Jazz Recommendations - 2015 Releases • 2 • Tags: This is Jazz Today