Oct 25 2018
Recommended: Fire! – “The Hands”
For me personally, it’s kind of jarring to be reminded that the Fire! Orchestra got its start as a trio. The large ensemble variant has spent the last handful of years putting out some of the most exciting music to hit the shelves. It’s music that I find particularly rewarding, especially in that singular way the ensemble forms a handshake deal between unbridled chaos and innate tunefulness bordering on catchy. The intensity that derives from this tenuous agreement between typically warring qualities is something that registers strong on my enjoyment meter.
As a trio, saxophonist Mats Gustafsson, bassist Johan Berthling and drummer Andreas Werliin present the core of that agreement in its simplest terms. The foundation of repetition that nurtures the catchiness is evident throughout their latest release The Hands, as is the naked edginess that obliterates that repetition without warning. Missing are the rich textures and massive presence of the trio’s Orchestra ensemble, and while it’s an absence I’m not particularly fond of, it is refreshing to hear again what beats at the heart of that music.
Your album personnel: Mats Gustafsson (tenor, baritone & bass saxophones, live electronics), Johan Berthling (electric & double basses) and Andreas Werliin (drums, percussion, feedback).
Released on Rune Grammofon.
Listen to more of the album at the artist’s Soundcloud page.
Music from Amsterdam.
Available at: Amazon
Oct 26 2018
Recommended: Omer Avital – “Qantar”
The music of Omer Avital is so damn joyful. It hits me square in the heart, a mainline of happiness that won’t let me sit still. Like it’s too much to contain. Like I want to share it. The bassist’s latest recording sees him with a new line-up, and the change manifests in the motion. Qantar is meant for dance. It has an effortless flow that scoops up everything in its path and carries it along for the ride. Like you. And me. This is true when the quintet slows things down a bit on “Beauty and the Beast” and it is also true when the intensity spikes on “Immigration.” Most tracks, however, keep to a brisk and even pace, where the thrill of speed doesn’t disturb the casual flow of things, as if Avital isn’t in a hurry for any of these tunes to end.
Qantar falls in line with past recordings. It’s calmer than Suite of the East and Free Forever, but doesn’t shortchange when it comes to those recordings’ boisterous attitude. “Turkish Coffee Blue” edges closest to those extraordinary recordings with its moody intensity and an omnipresent melody, but even in this instance, the quintet guide the song into territory where introspection isn’t on the menu. Nor should it be.
How is there not a law requiring Avital to record something new every year? That seems like a gimme.
Your album personnel: Omer Avital (bass), Eden Ladin (piano, keyboards), Ofri Nehemya (drums), Alexander Levin (tenor sax) and Asaf Yuria (soprano & tenor saxophones).
Released on Zamzama Records.
Listen to more of the album on the artist’s Bandcamp page.
Music from NYC.
Available at: Bandcamp | Amazon
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By davesumner • Jazz Recommendations, Jazz Recommendations - 2018 • 0 • Tags: New York City, Omer Avital, Zanzama Records