Feb 8 2018
Probably a good idea to check out these two releases from Angelo Mastronardi
One of the nice things about artists and labels discovering the Bandcamp site is the opportunity to revisit some of the older albums in a musician’s discography as they upload them at the same time as a recording of a more recent vintage. Case in point: Angelo Mastronardi.
The pianist released a new album in 2017 called New Things, Same Words. It’s a solid straight-ahead session, and sounds like it could source from NYC as easily as the pianist’s Gioia del Colle, Italy home turf. It’s got a free-flowing lyricism that displays plenty of activity, but keeps it tightly focused… like a wildly fluttering butterfly that doesn’t roam outside a square foot of sky. The rhythm section of double bassist Stefano Rielli and drummer Alex Semprevivo develop a conversant chatter that stays light on its feet, enhancing the buoyant melodicism from Mastronardi and saxophonist Emanuele Coluccia. The upbeat pieces kick up a little fire but nothing that could burn, and while they’re plenty enjoyable, it’s when the quartet slows down and makes a melody smoulder with heavy emotion that the album shines strongest.
Your album personnel: Angelo Mastronardi (piano, Fender Rhodes), Emanuele Coluccia (tenor and soprano saxophones), Stefano Rielli (double bass) and Alex Semprevivo (drums).
Released on Gleam Records. Listen to more of the album on the artist’s Bandcamp page.
Available at: Bandcamp | Amazon | eMusic
It’s a different kind of sound on Mastronardi’s 2014 recording, Like at the Beginning. Most noticeable is how the atmosphere changes when it’s a trio setting, and Mastronardi is the primary conductor of the melodic electricity. This album is far snappier than its 2017 counterpart, and its volatile energy is directed laterally far more than cyclically. It, too, could easily be identified as something coming from NYC as Italy. This quality is somewhat surprising considering this album was released on Dodicilune Records, a label that tends to release music that takes on folk and chamber characteristics reflective of the Mediterranean scenes. With double bassist Michele Maggi and drummer Walter Forestiere rounding out the trio, sometimes they dig into a groove and sometimes they drift into a ballad, but for the most part, this is music that sticks to a sunny tone and chipper disposition
Your album personnel: Angelo Mastronardi (piano), Michele Maggi (double bass) and Walter Forestiere (drums, percussion).
Released on Dodicilune Records. Listen to more of the album on the artist’s Bandcamp page.
Feb 12 2018
The Round-up: Sometimes the road drops off
Here is some very good new music.
Kuba Płużek Quartet – Froots (For-Tune Records)
This session from pianist Kuba Płużek goes through some changes between first note and last, and yet somehow maintains a cohesive vision throughout. The most appealing state of existence for his quartet is when they run with a soul jazz and Motown sound. There’s a real electricity that flows during those pieces, and an almost insistent command to move move move. That said, those tunes that dish out some modern post-bop edge or just dive into the deep end of a thick melody and let the harmonies splash where they may, well, it’s pretty easy to fall for them, too. There’s a lot of good stuff going on here, and the most I dig into this album, the more I find to like. Joining Płużek are drummer Dawid Fortuna, saxophonist Marek Pospieszalski and bassist Max Mucha. Music from Kraków, Poland.
Artist site | Listen | Buy: Bandcamp – Amazon
Cameron Mizell – Memory/Imagination (Destiny Records)
Those gorgeous interludes on a Bill Frisell recording, where it’s just his moody guitar and some loops & effects? The new release from Cameron Mizell is pretty much an homage to those moments. The guitarist keeps it simple. He takes the seed of a melodic image and runs through an electronic time lapse on its growth. A variety of effects muddy the waters and shift the focus and opens up facets, but for the most part, Mizell is careful to keep that original vision intact. It’s the reason these pieces keep a sense of cohesion rather than simple fade into a formless cinematic ambiance. Plus, he occasionally throws in a tune like “Vulnerabilities,” whose folk music styling goes a long way to providing a sense of shape and direction to the recording. This is an album that exists in the moment. Music from Brooklyn.
Artist site | Listen | Buy: Bandcamp – Amazon
Baddest Unity – Fleurir (Self-Produced)
This charming duo session from guitarist Yutaka Hirasaka and trumpeter Masayuki Shikada shimmers in and out of focus and between two states of existence. There’s the late night jazz club ambiance, where the hour draws late and the moonlight begins to wane, and then there’s the electro-acoustic fusion of a modern loft scene, where laptops are surrounded by beer bottles and listeners lounging anywhere that looks comfortable. The electronic effects are used sparingly and in just the right spots. Music from Tokyo.
Artist site | Listen | Buy: Bandcamp
Conjunto de Lassaletta – Naturaleza Práctica I (Discos ICM)
There’s an appealing way that flashes of edge emerge from the ethereal dissonance on Naturaleza Práctica I. Bassist Martín de Lassaletta, guitarist Julian Maliandi, drummer Leo Gerstner and effects specialist Mariano Balestena adopt a posture that structure is a highly elastic medium, which leads to a quick impression of multi-directional focus. But every so often, things come together with a succinct fragment of melody or unison of rhythm, and that brief landmark provides context to the road traveled to date and, briefly, the next path taken. This is one of two albums from these sessions. And while both are a modern jazz-rock fusion form of expression, Práctica I takes on a prog-rock ambiance whereas Práctica II dwells in territory more closely associated with the psychedelic fusion of the 70s. Music from Mar Del Plata, Argentina.
No artist site | Listen | Buy: Bandcamp
Tomáš Sýkora – Songs and Old Forms (Mot’s Music)
Measured by the merits of each individual piece on this solo set by Tomáš Sýkora, there’s plenty offered by way of keeping the attention locked in place. But the album is best viewed from the context of its entirety. The album shines brightest in the way the pieces shift between straight-ahead modern elucidations, avant-garde expressions of a strangely comforting dissonance, and classical pieces that border on ambient minimalism. The pianist spent two years developing this work, and to end up in a place where the source of the album’s cohesion is discovered in its diversity speaks to how time changes vision even when that vision never loses its focus. Music from Lysá Nad Labem, Czech Republic.
Artist site | Listen | Buy: Bandcamp – Amazon
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By davesumner • Jazz Recommendations, Jazz Recommendations - 2017 releases • 1 • Tags: Baddest Unity, Brooklyn (NY), Cameron Mizell, Conjunto de Lassaletta, Del Plata (Argentina), Destiny Records, Discos ICM, For-Tune Records, Krakow (Poland), Kuba Płużek, Lysá Nad Labem (Czech Republic), Mot's Music, The Round-Up, Tokyo (Japan), Tomáš Sýkora