Oct 16 2018
Recommended: Peuker8 – “Influx”
Listening passively, it’s easy to gain the impression that this is an indie-rock album. There’s the deep dives on melody, the quirky changes in cadence, the proclivity to stretch the defining shape of song structure… and there’s a guitar at the center of it all. But immersing oneself into the depths of Influx, other influences immediately become clear, and it’s not long before they reveal themselves as the driving factor of this fascinating release from Peuker8.
While Paul Peuker‘s guitar does keep center stage for most of the recording, it’s the sound and motion of his octet’s other members that attract a majority of the attention. The inclusion of a string trio brings the modern classical element to the forefront, and how the bass and drums rhythm section mirror their flight patterns and etch the tempo into their harmonic surface is a big reason why the strings maintain a focused intensity. Some electric guitar burn pairs nicely with a saxophone that is equally adept at growling as issuing out a contented sigh. And, notably, pianist Clemens Christian Pötzsch deftly applies his talent at bringing a contemplative quality to music emitting a jolt of electricity. Through these interactions, the modern European jazz influence emerges, as does the modern scene’s emphasis on composition as the strong guiding hand of improvisation.
It’s also one of the stronger releases to hit the shelves in 2018. The WhyPlayJazz label is having an impressive year of new releases.
Your album personnel: Paul Peuker (guitar), Clemens Christian Pötzsch (piano), Mark Weschenfelder (saxophone), Alina Gropper (violin), Filip Sommer (viola), Elisabeth Coudoux (cello), Eugen Rolnik (bass), Florian Lauer (drums) and guest: Sissi Rada (vocals).
Released on WhyPlayJazz.
Listen to more of the album at the artist’s Bandcamp page.
Music from Berlin, Germany.
Oct 17 2018
Recommended: Alban Darche & L’OrphiCube – “The Atomic Flonflons”
There’s no grey area as to which era the music of Alban Darche belongs to. The saxophonist’s sound is singularly modern. But staring down at the spot Darche has his feet planted in present-day territory doesn’t pose an obstacle for looking back upon the lineage of music that brought him to that place. Time and again, Darche coaxes the music of the past into his music of today. And that’s certainly the case of his latest release with his L’OrphiCube ensemble.
The rustic folk music influence of The Atomic Flonflons speaks to music with roots running deep, as does its hot jazz excitability, tango sway and ragtime cheer. Vocals and accordion provide a framework for the wind instruments to run wild, balancing free improvisation with the simple need of song structure for a melody to blossom to life.
A particularly welcome development is the contribution of Chloé Cailleton, whose vocals were also a huge factor in Collectif SPATULE earning the #5 slot on this site’s Best of 2017 list.
With all of his varied projects resulting in so many excellent recordings, I’ve been wanting to post an Alban Darche overview column for some time. Let his newest tide you over until that whole thing shakes out.
Your album personnel: Alban Darche (alto, soprano & baritone saxes), Chloé Cailleton (vocals), Nathalie Darche (piano), Didier Ithursarry (accordion), Stéphane Payen (alto sax), Olivier Laisney (trumpet), Christophe Lavergne (drums) and Sébastien Boisseau (double bass).
Released on Yolk Records.
Listen to more of the album on the artist’s Bandcamp page.
Music from Saint-Nazaire, France.
Available at: Bandcamp | Amazon
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By davesumner • Jazz Recommendations, Jazz Recommendations - 2018 • 0 • Tags: Alban Darche, Saint-Nazaire (France), Yolk Records