I kept expecting this album to make me feel silly. At some point, the thinking went, I would achieve a certain perspective, and everything I believed about this recording would be revealed as a bit premature. But over and over and over again I listen to this gorgeous new album by the Christian Balvig 6tet, and I’m starting to think that my swooning first impressions was an accurate one.
Look, sometimes I really connect with a recording. I hear something beautiful, something that strikes me dead center of my heart, and I go up to the rooftops and shout its name to the world. And, sometimes, after some acclimation to the music’s beauty, I modulate my opinion down a bit, and regard the music as something more of an ordinary beauty deserving of an even-handed assessment.
This is not an apology, nor am I even a little bit embarrassed about some of my more effusive posts that my preamble refers to. I cherish those initial connections to beautiful music as much, if not more, than those states of connection where a calm pragmatism instructs my emotional response. It’s just, well, sometimes I hold off before running up to the rooftops preparing to shout. It’s a learned skepticism.
Christian Balvig’s exquisite chamber jazz recording Music for Humans had me wary. It’s true. It just seemed too beautiful. The way he gets a string trio to swoop right in and take his piano trio’s melodic phrasings airborne had me hooked right from the start. The rhythmic chatter that makes the comforting effect of raindrops seem pale by comparison got those hooks in deeper. That way he brings an ominous tone to a track like “How Many Eyes Are Mirrored In The Moon,” a reminder that as beautiful as the storm may be, it has the power to damage, provides some necessary weightiness as a counterbalance to all of the uplifting moments. These are a few of the album’s qualities that have left me moonstruck. To itemize them feels, to me, as if I’m diminishing their effect, as if skewing the perspective that this album’s majesty is revealed in its fullness and not its bullet points.
I know I should hesitate before saying things like this is one of the most beautiful things I’ve heard all year. I know better. Except it’s true. This is one of the most beautiful things I’ve heard all year. And if that sounds familiar, it’s probably ’cause you heard me shouting it from the rooftops.
Your album personnel: Christian Balvig (piano), Louise Gorm (violin), MIkkel Schreiber (viola), Maria Isabel Edlund (cello), Jens Mikkel Madsen (bass) and Siv Øyunn Kjenstad (drums).
Nov 29 2018
Christian Balvig has shattered my skepticism
Look, sometimes I really connect with a recording. I hear something beautiful, something that strikes me dead center of my heart, and I go up to the rooftops and shout its name to the world. And, sometimes, after some acclimation to the music’s beauty, I modulate my opinion down a bit, and regard the music as something more of an ordinary beauty deserving of an even-handed assessment.
This is not an apology, nor am I even a little bit embarrassed about some of my more effusive posts that my preamble refers to. I cherish those initial connections to beautiful music as much, if not more, than those states of connection where a calm pragmatism instructs my emotional response. It’s just, well, sometimes I hold off before running up to the rooftops preparing to shout. It’s a learned skepticism.
Christian Balvig’s exquisite chamber jazz recording Music for Humans had me wary. It’s true. It just seemed too beautiful. The way he gets a string trio to swoop right in and take his piano trio’s melodic phrasings airborne had me hooked right from the start. The rhythmic chatter that makes the comforting effect of raindrops seem pale by comparison got those hooks in deeper. That way he brings an ominous tone to a track like “How Many Eyes Are Mirrored In The Moon,” a reminder that as beautiful as the storm may be, it has the power to damage, provides some necessary weightiness as a counterbalance to all of the uplifting moments. These are a few of the album’s qualities that have left me moonstruck. To itemize them feels, to me, as if I’m diminishing their effect, as if skewing the perspective that this album’s majesty is revealed in its fullness and not its bullet points.
I know I should hesitate before saying things like this is one of the most beautiful things I’ve heard all year. I know better. Except it’s true. This is one of the most beautiful things I’ve heard all year. And if that sounds familiar, it’s probably ’cause you heard me shouting it from the rooftops.
Your album personnel: Christian Balvig (piano), Louise Gorm (violin), MIkkel Schreiber (viola), Maria Isabel Edlund (cello), Jens Mikkel Madsen (bass) and Siv Øyunn Kjenstad (drums).
Released on AMP Music & Records.
Music from Oslo, Norway.
Available at: Amazon
Like this:
By davesumner • Jazz Recommendations, Jazz Recommendations - 2018 • 0 • Tags: AMP Music and Records, Christian Balvig, Oslo