Jan 28 2020
Best of 2019 #29: Nate Wooley – “Columbia Icefield”
The idea of being one with nature has an ubiquitous presence in society, ranging from philosophical reveries by sharp thinkers to superficial representations in pop culture. But it is often expressed as some idealistic state of being, a plateau of achievement reflecting a rightness in the way of life. It almost always overlooks the reality that nature is fearsome, and that it can kill, and it does so with a perspective entirely alien to collective society’s norms and systems. Nature is as imposing and dangerous as it is majestic. It is as alien as it is symbiotic. On his February 2019 release, Nate Wooley captures these conflicting dimensions of our relationship with nature through his own contemplation on his relationship with the Columbia Icefield. And with the help of guitarist Mary Halvorson, pedal steel guitarist Susan Alcorn, and drummer Ryan Sawyer, the trumpeter has released one of the more compelling, epic works of 2019.
Your album personnel: Nate Wooley (trumpet), Mary Halvorson (guitar), Susan Alcorn (pedal steel), and Ryan Sawyer (drums).
Released on Northern Spy Records.
Music from Brooklyn, NY.
Jan 28 2020
Best of 2019 #27: Caroline Davis – “Alula”
It’s not like Caroline Davis sits still very long. The saxophonist has an eclectic array of projects, and spread out across the vast modern landscape of jazz expressionism. There’s the post-bop brilliance (and Chicago-hip name) of her Pedway ensemble, her contributions to the post-rock jazz of Whirlpool, her sonic documentary Doors: Chicago Storylines, and her ballad-as-ignition-switch 2018 release Heart Tonic. Her latest, however, treats all previous projects like they were standard straight-ahead sessions, and now this is when she really stretches out. By way of comparison, it’s how things shake out. This excellent electro-acoustic trio set with drummer Greg Saunier and keyboardist Matt Mitchell is a massive upheaval of melodies, of harmonies shattered like glass, and rhythms that dance on the shards while laughing. This album surprises with loving melodies that break through the clearing, or when it unexpectedly settles into a cadence with the rhythmic quality of crickets chirping loudly at the moon on a clear night. It is crazily tuneful, even when at its most chaotic. It’s serious business, but its only business is having fun. It is the end of ever thinking you know what to expect from a Caroline Davis recording. Alula is one of the very best recordings of 2019.
Your album personnel: Caroline Davis (alto saxophone, voice), Matt Mitchell (Prophet 6 synthesizer, modular synth, ARP synthesizer), and Gregory Saunier (drums, percussion, voice).
Released on New Amsterdam Records.
Music from Brooklyn, NY.
I wrote about the album for The Bandcamp Daily.
Cool album cover art by Robert Pollard.
Listen | Read more | Available at: Bandcamp – Amazon
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By davesumner • Recap: Best of 2019 • 0 • Tags: Best Jazz of 2019, Brooklyn (NY), Caroline Davis, Greg Saunier, Matt Mitchell, New Amsterdam Records