Jan 22 2018
The Round-up: Dancing with distance
Here is some very good new music.
Barry Altschul & The 3dom Factor – Live in Krakow (Not Two)
For some musicians, the process to the performance is 1.) Pour gasoline, 2.) Light match. On this live set from drummer Barry Altschul, bassist Joe Fonda and saxophonist Jon Irabagon, the flames are unleashed on the city of Krakow, and there’s just no end to it. Even the brief reprieve of “Irina” barely serves as a breather with its insistent extrapolation of the blues. This album really only has gears that operate at high speeds, and that’s exactly the reason you want to scoop this one up.
Artist site | Buy: Amazon
Henrique Eisenmann – The Free Poetics Of (Red Piano Records)
That way in which a roomful of conversations can take on a life of its own, and achieve a unity that verges on a distinct dialog all to itself… that’s the sensation from this new release by Henrique Eisenmann. The crosscurrents of melody ripple across the dotted surface of multi-rhythmic expressions, and it crackles with life. Even during contemplative interludes, that electricity hums quietly just beneath the surface and gives off an animated charge. The pianist has soprano saxophonist Gustavo D’Amico, double bassist Jorge Roeder and percussionist Rogerio Boccato at his side. Music from Boston, MA.
Artist site | Buy: Amazon
Tony Burkill – Work Money Death (ATA Records)
Some soul, some bop and plenty of heat to drive it all ahead. This throwback recording to the old school when hard bop was looking inward at its soul and outward to other musics is plenty addictive. Saxophonist Tony Burkill finds a way to make the music catchy when at its most intense, and introspective when it’s time for the intensity to catch its breath. It’s a pattern he has on repeat, and it never grows old, not even a little bit. The rhythmic attitude of Work Money Death is let’s dance, and while the tempo might not point to any formal method of motion, it elicits a compulsion to move all the same. Music from Leeds, UK.
No artist site | Listen | Buy: Bandcamp – Amazon
John McNeil & Mike Fahie – Plainsong (Destiny Records)
Nice straight-ahead set from the trumpeter John McNeil and trombonist Mike Fahie. They stick to the area where hard bop and post-bop can blend into the same crowd and remain relatively indistinguishable one from the other. “Rain Song, Plain Song” is one of a couple exceptions where the modern influence reigns supreme, and the decision to take this course gives the album its personality. This doesn’t stray far from the winning formula of McNeil’s Hush Point group. For this session, it’s pianist Ethan Iverson, bassist Joe Martin and drummer Billy Hart rounding out a quintet. Music from Brooklyn, NY.
Artist site | Listen | Buy: Bandcamp – Amazon
Giovanni Di Domenico & Abschattungen – The Ear Cannot Be Filled With Hearing (El Negocito Records)
This large ensemble performance led out by pianist Giovanni Di Domenico goes big and gives it everything they’ve got. They toe the line where sonic wildness becomes random dissonance, and so each of the four extended pieces of his 2017 release perpetually cycle between states of dispersal and reformation. The thing that triggers the transition back to structure is a groove. It’s as if it suddenly emerges from beneath the surface of the song, like the earth swelling up and grumbling out a heady tempo. It’s an arresting feature of an interesting album. Music from Brussels, Belgium.
Artist site | Listen | Buy: Bandcamp
Feb 12 2018
The Round-up: Sometimes the road drops off
Here is some very good new music.
Kuba Płużek Quartet – Froots (For-Tune Records)
This session from pianist Kuba Płużek goes through some changes between first note and last, and yet somehow maintains a cohesive vision throughout. The most appealing state of existence for his quartet is when they run with a soul jazz and Motown sound. There’s a real electricity that flows during those pieces, and an almost insistent command to move move move. That said, those tunes that dish out some modern post-bop edge or just dive into the deep end of a thick melody and let the harmonies splash where they may, well, it’s pretty easy to fall for them, too. There’s a lot of good stuff going on here, and the most I dig into this album, the more I find to like. Joining Płużek are drummer Dawid Fortuna, saxophonist Marek Pospieszalski and bassist Max Mucha. Music from Kraków, Poland.
Artist site | Listen | Buy: Bandcamp – Amazon
Cameron Mizell – Memory/Imagination (Destiny Records)
Those gorgeous interludes on a Bill Frisell recording, where it’s just his moody guitar and some loops & effects? The new release from Cameron Mizell is pretty much an homage to those moments. The guitarist keeps it simple. He takes the seed of a melodic image and runs through an electronic time lapse on its growth. A variety of effects muddy the waters and shift the focus and opens up facets, but for the most part, Mizell is careful to keep that original vision intact. It’s the reason these pieces keep a sense of cohesion rather than simple fade into a formless cinematic ambiance. Plus, he occasionally throws in a tune like “Vulnerabilities,” whose folk music styling goes a long way to providing a sense of shape and direction to the recording. This is an album that exists in the moment. Music from Brooklyn.
Artist site | Listen | Buy: Bandcamp – Amazon
Baddest Unity – Fleurir (Self-Produced)
This charming duo session from guitarist Yutaka Hirasaka and trumpeter Masayuki Shikada shimmers in and out of focus and between two states of existence. There’s the late night jazz club ambiance, where the hour draws late and the moonlight begins to wane, and then there’s the electro-acoustic fusion of a modern loft scene, where laptops are surrounded by beer bottles and listeners lounging anywhere that looks comfortable. The electronic effects are used sparingly and in just the right spots. Music from Tokyo.
Artist site | Listen | Buy: Bandcamp
Conjunto de Lassaletta – Naturaleza Práctica I (Discos ICM)
There’s an appealing way that flashes of edge emerge from the ethereal dissonance on Naturaleza Práctica I. Bassist Martín de Lassaletta, guitarist Julian Maliandi, drummer Leo Gerstner and effects specialist Mariano Balestena adopt a posture that structure is a highly elastic medium, which leads to a quick impression of multi-directional focus. But every so often, things come together with a succinct fragment of melody or unison of rhythm, and that brief landmark provides context to the road traveled to date and, briefly, the next path taken. This is one of two albums from these sessions. And while both are a modern jazz-rock fusion form of expression, Práctica I takes on a prog-rock ambiance whereas Práctica II dwells in territory more closely associated with the psychedelic fusion of the 70s. Music from Mar Del Plata, Argentina.
No artist site | Listen | Buy: Bandcamp
Tomáš Sýkora – Songs and Old Forms (Mot’s Music)
Measured by the merits of each individual piece on this solo set by Tomáš Sýkora, there’s plenty offered by way of keeping the attention locked in place. But the album is best viewed from the context of its entirety. The album shines brightest in the way the pieces shift between straight-ahead modern elucidations, avant-garde expressions of a strangely comforting dissonance, and classical pieces that border on ambient minimalism. The pianist spent two years developing this work, and to end up in a place where the source of the album’s cohesion is discovered in its diversity speaks to how time changes vision even when that vision never loses its focus. Music from Lysá Nad Labem, Czech Republic.
Artist site | Listen | Buy: Bandcamp – Amazon
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By davesumner • Jazz Recommendations, Jazz Recommendations - 2017 releases • 1 • Tags: Baddest Unity, Brooklyn (NY), Cameron Mizell, Conjunto de Lassaletta, Del Plata (Argentina), Destiny Records, Discos ICM, For-Tune Records, Krakow (Poland), Kuba Płużek, Lysá Nad Labem (Czech Republic), Mot's Music, The Round-Up, Tokyo (Japan), Tomáš Sýkora