Jan 26 2012
The Safety Net: Ellipsis – “Edge Hill Road”
I discovered Ellipsis and Edge Hill Road about a year ago while wandering the halls at the Bandcamp site, just looking for anything interesting to hear. I was hooked almost immediately, and now a year (or so) later, the album never shook me, so I figure this is a nice opportunity to give it a little more time in the spotlight. Edge Hill Road is exactly the type of album I envisioned writing about when I came up with the regular feature of The Safety Net.
Released originally back in 2009 by a quintet of jazzers from the Philly scene who wanted to express their voice through jazz with a different kind of sound. Looking over their site, it’s obvious they have a strong affinity for Indie Rock music (ie Radiohead), and Edge Hill Road certainly has some of the sonic aspects of that corner of the music world.
Your album personnel: Jon Thompson (tenor sax), Matt Davis (guitar), John Stenger (piano), Jason Fraticelli (bass), and Justin Leigh (drums).
The album opens with “Thoughts of You”, a meditative piece, with piano and bass opening with a simple three note repetition that sets a tone of solemn contemplation. Tenor and guitar join in soon after, mimicking that three note progression and building on it, further entrenching the melancholia that stays through the entire tune.
It’s risky to open with a “sad song”, but it can be done; keep the melody simple and sincere, and don’t lay the desolation on too thick. For my personal tastes, Ellipsis pulls it off.
Another track I really like is “Dear Brian”. It begins with the sweetest opening notes on sax, accompanied softly with piano, and it just sounds like pulling the curtains aside to see the sun shining over a snowy landscape that wasn’t there the night before. Halfway through, the song changes, and now we’re happily walking outside in the snow, the cool air frosting breath and sweat from the exertion of trudging through foot deep drifts. This song exemplifies the quality that I believe I most enjoy about this album (and ones like it)… it makes me break into daydreams, conjures up all this anecdotal imagery, of what has come before or what may yet be.
“Sweet Victory” starts up tempo right away, with guitar taking the lead and setting the pace. Sax follows close behind at first, wailing away, then takes the lead itself. And while sax doesn’t relinquish the front position, everyone’s voice gets heard, and it sounds like a bunch of solos tightly intertwined around one another. It’s a nice bit of fire to an album that’s more inclined to smolder.
“Smoke and Mirrors” is a nifty little bit of tension. Bass and drums absolutely carry this tune with this evocative rhythm like a hero’s heartbeat leading up the Big Fight; there’s a suddenness and an undercurrent of volatility to it that is just too cool. Piano whips around in the background, adding to that tension. Sax and guitar, while most noticeable of all the instruments, really act more as supporting characters, much to the benefit of the tune.
“Why Can’t I Stay Away” is pure heartbreak.
The entire album has a wonderful cohesion to it, makes the artists’ vision very accessible. Obviously, there’s no way to truly know what the artist(s) intends or thinks about the finished product, but cohesiveness in an album at least gives the listener a decent shot at a best guess. Besides, even if that best guess is miles away from reality, ultimately, as listeners, what really matters is what we take away from it, the vision that it inspires in us and our connection between ourselves and the music we hear.
Well, anyways, that’s all I got for today. I hope you enjoy the album.
The album is Self-Produced. Jazz from the Philadelphia scene.
Download a free track from AllAboutJazz, courtesy of the artists.
Stream the entire album on their bandcamp page. You can also purchase it there in most file formats.
Jan 18 2018
The Round-up: The end to obstacles
Here is some very good new music.
Nicole Mitchell & Haki R. Madhubuti – Liberation Narratives (Third World Press)
This commission from the Jazz Institute of Chicago reunites flautist Nicole Mitchell with her mentor, poet Haki Madhubuti. With Madhubuti’s poetry as the centerpiece, the music possesses a directness that does nothing to blunt the impact of the message even as it’s bolstered by the nuance of Mitchell’s compositions. Originally a live performance project, Mitchell shifted things around for the project’s transformation into the recorded medium. That it all went down just days after the Presidential election is a timely reminder that the messages from the past can still point to the path ahead while simultaneously engaging the problems of today. Mitchell’s ensemble includes vocalist Ugochi, trumpeter Pharez Whitted, cellist Tomeka Reid, violinist Rene Baker, pianist Miguel de la Cerna, bassist Harrison Bankhead and drummer Tomas Fujiwara. Music from Chicago.
Artist site | Listen | Buy: Bandcamp – Amazon
The Kandinsky Effect – Pax 6 (Ropeadope Records)
The Kandinsky Effect are a candle. Rhythmically, they flicker and dance and kick out some heat. Meanwhile, the melody slowly melts and bleeds through the music, and always at the behest of rhythmic forces. There’s also electronics and effects. The trio of saxophonist Warren Walker, bassist Gael Petrina and drummer Caleb Dolister don’t hold back on them, either. But on their new release Pax 6, the electronics only add texture… the color of the candle, in this metaphor. Ultimately, it comes down to the percussive nature of this trio, and the ways they modulate the tempo to shape the songs that is the driving force of this music. Music from Paris.
Artist site | Listen | Buy: Bandcamp – Amazon
Dan Blacksberg – Radiant Others (Self-Produced)
So, Dan Blacksberg specializes in klezmer trombone, which you might think is some sort of clever PR hook until you hear the music and recognize how heartfelt it is. A mix of originals and traditional pieces, trombonist Blacksberg and guitarist Nick Millevoi (plus some guest keyboards from Christopher McDonald) range from jaunty strolls to more intense reveries to gentle harmonic susurrations. It’s more than a bit intriguing, and when you discover that both musicians have collaborated with John Zorn and Tzadik Records, it all comes off as quite a bit logical, too. Music from Philadelphia.
Artist site | Listen | Buy: Bandcamp
The Dark Side – Out Of the Dark Side (PG Sounds)
The winning quality of Out Of the Dark Side is how cohesive melodies suddenly emerge out of the hazy mist of daydream imagery. There’s a sense for much of the album that the quintet of bassist Kaare Bjerke, lap steel guitarist Buster Jensen, guitarist Alex Jønsson, saxophonist Svend Dam Meinild and drummer Emil Mossing Thorenfeldt are more interested in generating an atmosphere than diagramming songs. But that’s not to say that they won’t utilize structure as building blocks to their ultimate grand design, and because of their economical use of those tools, their effect makes that much more of an impression. Music from Copenhagen.
Artist site | Buy: Amazon
Negative Press Project – Eternal Life: Jeff Buckley Songs and Sounds (Ridgeway Records)
So, this is a tricky album for me to write about. The Negative Press Project adapted the music of Jeff Buckley for jazz ensemble. The thing of it is, I only ever half-liked Buckley’s music. Sometimes one of his songs would come together in a rather beautiful way, but more often than not, he’d develop a melody to places that I found a bit melodramatic. But I like what this ensemble does with Buckley’s tunes. It’s a nice balance between the original’s song structure and the desire of the ensemble to roam free and explore. And like the originals, there are some moments on Eternal Life: Jeff Buckley Songs and Sounds that come together quite beautifully, and, also, like the originals, there are moments where the intensity could’ve maybe had its power cut a bit sooner. I have no idea if actual fans of Jeff Buckley’s music will enjoy this album. I do believe that going in blind about the music’s source, and thus judged on its own merits, plenty of people will, in fact, find plenty to like. They put out enough material to fill two discs, which seems kind of excessive to me, but then again, if they were adapting the Bowie songbook, I might be asking, “Why no third disc?” Music from Oakland, CA.
Artist site | Listen | Buy: Bandcamp – Amazon
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By davesumner • Jazz Recommendations - 2017 releases • 0 • Tags: Chicago, Copenhagen, Dan Blacksberg, Kadinsky Effect, Negative Press Project, Nicole Mitchell, Oakland (CA), Paris, PG Sounds, Philadelphia (PA), Ridgeway Records, Ropeadope Records, Self-Produced, The Dark Side, The Round-Up, Third World Press