Apr 4 2019
The Round-up: I nodded off and waited for the sun to rise
Here is some very good new music.
Human Feel – Gold (Intakt Records)
Some of this music still feels like I only discovered it yesterday. This comment is particularly useful in explaining my disbelief that Human Feel has been together for thirty years. Alto saxophonist Andrew D’Angelo, tenor saxophonist Chris Speed, guitarist Kurt Rosenwinkel and drummer Jim Black, as a quartet and on their own separate projects, have been responsible for some of the more forward-thinking and adventurous music to rain down upon jazz territory in this century. This has been true for a while. And, yet, it still feels strange to be speaking of them as veterans of the scene. Some of this disconnect has much to do with how fresh and vital and forward-thinking their newest music is, sharing those same qualities that made past recordings so special on their own merits. Gold continues the musicians’ habit of eschewing genre conventions and standard expectations of the current day, and instead letting a melody go where it chooses and capturing a sound in the moment to coalesce around it and create something beautiful, something edgy, something that will always sound young and new and exciting. Music from NYC.
Artist site | Listen | Buy: Bandcamp – Amazon
Peter Hess – Falling (Diskonife)
There’s everything to like about this trio session from tenor saxophonist Peter Hess, vibraphonist Matt Moran and drummer Jeff Davis. The music dances with a light step, yet doesn’t refrain from touching down with a stomp. That contrast between motion and impact yields all kinds of riveting moments. So, too, does the limitless supply of endearing melodies that make it so easy to connect with everything that follows. This music hops, it smoulders, and it sometimes takes flight. This album really needs to be registering on people’s radars. Music from Brooklyn, NY.
Artist site | Listen | Buy: Bandcamp
Blessing in Disguise – Live Exchange (Lava Thief)
There’s all kinds of intriguing moments on this live improvisation session from Get the Blessing ensemble members. Trumpeter Pete Judge, bass guitarist Jim Barr, and saxophonist Jake McMurchie play both sides of the thunderstorm… there’s moments of intensity that swell up like lightning and rain crashing down upon the world, and then there’s those interludes when the electricity settles into a serene state of existence, and a certain peacefulness expands outward from that volatile core. Music from London.
No artist site | Listen | Buy: Bandcamp
Træ – Træ (Self-Produced)
There’s an appealing dreamy presence to this trio set from guitarist Johannes Maikranz, saxophonist Simon Spiess and drummer Samuel Dühsler. They settle into a melody and then launch it skyward like a kite riding the wind on a calm, summer day. The album is retailing at Name Your Price, so it’s a nice opportunity to buy some good music that’ll fit your budget. Music from Basel, Switzerland.
Artist site | Listen | Buy: Bandcamp
Marco Moura Quartet – The Quadrant (Self-Produced)
This four track EP splits its time between old-school and new-school forms of expression, and while there’s plenty to like about the way Marco Moura‘s quartet expresses each jazz era, it’s when things shade to the modern day that the music really shines strongest. Music from both London, UK and Porto, Portugal.
No artist site | Listen | Buy: Bandcamp
Jan 21 2020
Best of 2019 #55: Paulo Gomes – “MAP + Chris Cheek”
Paulo Gomes’ Guerra e Paz was one of the very best things to come out in 2017. How it unleashed immaculate melodies and let them wander freely off to the horizon created the sense of an epic journey while keeping the listener immersed simultaneously in the present microcosm of melodic expression. It was also a nifty example of how the cadence of the new jazz era has altered dramatically from the swing and bop days, while its reliance on a well-crafted melody as a base foundation is as relevant today as it was when John Coltrane was creating mad vortexes of sound circling around the gorgeous melody to “My Favorite Things.” On his 2019 release, Gomes adds saxophonist Chris Cheek to the mix. The fourth installment from his MAP ensemble, Paulo Gomes documents the music performed from two separate concerts: One at the Rivoli Theater and the other at the Coimbra Conservatory of Music. It goes a long way to showing that the electricity generated by the ensemble in the studio carries seamlessly to a live setting, and that the addition of new personnel just amplifies the charge of the music to even greater heights. There is no way any of this striking music should be falling under the radar. It is just too damn good.
Your album personnel: Paulo Gomes (piano), Miguel Moreira (guitar), Miguel Ângelo (double bass), Acácio Salero (drums), and Chris Cheek (saxophones).
The album is Self-Produced.
Music from Porto, Portugal.
Listen | Read more | Available at: Bandcamp
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By davesumner • Recap: Best of 2019 • 0 • Tags: Best Jazz of 2019, Chris Cheek, Paulo Gomes, Porto (Portugal), Self-Produced