Oct 9 2016
Today’s Bandcamp List: Strange Meetings, Curtis Macdonald, Liilaa, KOKO and Clark-Jones-Pottie
I listen to a lot of music. I make lists of what I like. I’m not able to write about everything, not nearly as much as the music deserves. This new List column series will attempt to squeeze in some extra recommendations of stuff that I typically wouldn’t find time to write about on this site or my various other spots.
Here’s some quick hits of interesting stuff I found on Bandcamp today.
Strange Meetings – Strange Meetings (Produção de Música Contemporânea)
This captivating 1997 album is culled from sessions back in ’96, then pieced together in the studio. A trio of guitarist Jan Weber, multi-reedist Maurício Mirá and bassist Celio Barros slip through an entire spectrum of imagery, and all of it falling somewhere within the bounds of ambient music. Sometimes it’s with a vague World Jazz form of expressionism, sometimes with an ambient drone, and others where the music would’ve fit in quite nicely on an ECM Records compilation. All of it is seriously intriguing. A good Sunday afternoon choice, when you’re feeling worn out from a long, exciting weekend.
Your album personnel: Jan Weber (guitar, classical guitar, 12-string guitar, percussion), Maurício Mirá (clarinet, alto sax, winds, reeds, percussion) and Celio Barros (double bass, acoustic bass guitar).
More listening and for sale on their Bandcamp page.
Curtis Macdonald – Scotobiology (Self-Produced)
There’s a real shadowy presence that hangs over this trio set from alto saxophonist Curtis Macdonald, acoustic bassist Christopher Tordini and drummer Craig Weinrib. It wouldn’t be inaccurate to utilize the word ‘ambient’ to describe the music, except for the fact that there’s a perpetual state of unease in all of the expressions, and so the concept of attaining serenity is sort of neutralized if you can’t ever truly let your guard down. That said, whether developing parallel ideas or locked into the same image, there are moments of an hypnotic nature, and it’s the kind of thing that carries over even into the tracks where the tempo moves with a bit more immediacy.
Your album personnel: Curtis Macdonald (alto sax), Christopher Tordini (acoustic bass) and Craig Weinrib (drums, cymbals).
More listening and for sale on their Bandcamp page.
Liilaa – Dog Farm (Simlas Produksjoner)
There’s a strange flow to this punctuated free jazz set, as if a morse code machine attempted to coo a love song. The Liilaa trio of double bassist Nina de Heney, alto saxophonist Björn Almgren and drummer Henrik Wartel keep the momentum always headed forward, but the little curls of melodic thoughts and the stream-of-conscious rhythms mesh in all the right ways, and it’s why the music never gets so tangled that it’s forced to come to a standstill. When de Heney contributes some arco to the proceedings, the atmosphere possesses a strange beauty, and serves as a nice bridge between longer passages of controlled fury. Released originally in 2012, and it’s part of a larger drop of prior recordings recently uploaded to a Bandcamp page by Simlas Produksjoner, a Norway-based label specializing in improvised music that utilizes live electronics.
Your album personnel: Nina de Heney (double bass), Björn Almgren (alto sax) and Henrik Wartel (drums).
More listening and for sale on their Bandcamp page.
KOKO – Live in Bogotá (Self-Produced)
This 2012 live performance from KOKO, a duo of vibraphonist Taiko Saito and pianist Niko Meinhold is seriously enchanting. The collisions between their rhythmic crosscurrents are plenty riveting when they adopt similar flight patterns, but it’s when their individual melodic paths join in unison when that enchantment really takes hold. The various influences seem purposely vague, as it isn’t so much the language they’re speaking at any one time that’s of interest, but the flow of the conversations.
Your album personnel: Taiko Saito (marimba, vibraphone) and Niko Meinhold (piano).
More listening and for sale on their Bandcamp page.
Clark | Jones | Pottie – Frisell (Self-Produced)
I’m a sucker for any ensemble that wants to dig into the Bill Frisell songbook. The trio of guitarist Neil Clark, bassist Alisdair Jones and drummer Ambrose Pottie offer up their versions of three Frisell compositions, “Blues for Los Angeles,” “Tell Your Ma, Tell Your Pa” and “Variation on a Theme” (check out Frisell’s Gone, Just Like a Train and Ghost Town for the originals). The spirit and sound of the originals are present in the trio’s renditions, but thankfully they use them as an excuse to go off in their own direction rather than as some reverential tribute album. Plenty likable.
Your album personnel: Neil Clark (guitars), Alisdair Jones (bass guitars) and Ambrose Pottie (drums).
More listening and for sale on their Bandcamp page.
*****
Nov 6 2016
Today’s Bandcamp List: Miguel Angelo, Erik Bogaerts, Khaa Project, Toni Vaquer, Threejay
I listen to a lot of music. I make lists of what I like. I’m not able to write about everything, not nearly as much as the music deserves. This new List column series will attempt to squeeze in some extra recommendations of stuff that I typically wouldn’t find time to write about on this site or my various other spots.
Here’s some quick hits of interesting stuff I found on Bandcamp today.
Miguel Ângelo Quartet – A Vida de X (Carimbo Porta-Jazz)
On the newest release from bassist Miguel Ângelo, there’s a richness to the album’s rhythmic approach that, on its own, would be plenty to keep the attention locked in. And the lyrical nature of each melody is something where storybook concepts are expanded on and taken far from their original manifestation. But his quartet’s delivery is a conversational tone that is practically soothing in the way it comes across, a concise, succinct way of telling wild tales. That balance of diversity and economy earns huge dividends, and it’s why this tuneful music resonates so evocatively, with as much a chance at making a cerebral connection as a mainline into Emotion Central. Another nifty recording from the Porto, Portugal scene.
Your album personnel: Miguel Ângelo (bass), João Guimarães (alto sax), Joaquim Rodrigues (piano) and Marcos Cavaleiro (drums).
More listening and available for sale on the artist’s Bandcamp page.
Erik Bogaerts – Bogaerts & Lasure + Dahm (Self-Produced)
There’s a compelling looseness to this Nordic Jazz session from the trio of pianist Lasure, saxophonist Bogaerts and drummer Dahm, as if a peaceful dream were coming apart at the seams. There’s a sense that all of these tracks have a ballad in mind, even when they veer into territories more reflective of heartbreak than love song. Each song is carried along by the strength of the melody, and each melody is stretched thin by the way the trio chooses to never let them adopt their final form and, instead, look to see just how far they can expand on the original idea. This effect when combined with the casual approach to form makes for some strangely intoxicating music.
Your album personnel: Hendrik Lasure (piano), Erik Bogaerts (alto sax) and Pit Dahm (drums).
More listening and available for sale on the artist’s Bandcamp page.
Khaa Project – Khaa Project (Woldéba Records)
A seriously likable kind of world jazz fusion from the quartet Khaa Project. They seem to borrow from a wide swath of Eastern music, from Indo-jazz to Japanese folk and over to Nepalese and Lebanese influences. The quartet delivers their particular blends in catchy grooves that toss the melodies gently along their surface. It creates a sense of perpetual dance, easy and free and joyful. And when they slow things down, as they do on closing track “Looking For Khaa,” all of those elements combine for some riveting moody music that simmers with just the right amount of heat. A four-track EP lasting approximately thirty minutes, and every one of those minutes is very enjoyable.
Your album personnel: Guilhem Fontes (piano, Rhodes, alto clarinet), Thomas Bourgeois (drums, zarb, daf), Akram Chaïb (clarinet) and Philippe Guiraud (electric & double basses).
More listening and available for sale on the artist’s Bandcamp page.
Toni Vaquer – Noninó (Underpool)
The progression of Noninó from first song to last creates a curious, addictive flow. The debut from pianist Toni Vaquer opens with a heavy presence, a cadence that almost lumbers through the melody. Yet with each successive track, the tempo moves more freely and the melody is exhaled effortlessly and each song becomes increasingly tuneful. In addition to the abiding presence of each song and how it changes one from the next, Vaquer’s sextet adds little flourishes here and there by way of accentuating smaller changes within the larger transformations. It gives some extra personality to each tune, so that their individuality can be appreciated as much as for how they fit into the album’s grander scheme.
Your album personnel: Toni Vaquer (piano), Joan Mas (alto sax), Miguel “Pintxo” Villar (tenor sax), Dani Pérez (guitar), David Mengual (bass) and Ramon Prats (drums).
More listening and available for sale on the artist’s Bandcamp page.
ThreeJay – Our Voint of Piew (Self-Produced)
An exceedingly cheerful session from the Threejay trio of pianist Joan Solana, bassist Josep Colls and drummer Joan Carles Marí. Melodies are drawn with thick lines and fall easily into the rhythm’s embrace. Most songs keep to a brisk pace, but never to where the melodic expressions sound hurried. Sort of a pop music influence, but for the most part, a standard modern piano trio sound. Nothing groundbreaking here; just a pleasant album that’s pretty easy to like.
Your album personnel: Joan Solana (piano), Josep Colls (bass) and Joan Carles Marí (drums).
More listening and available for sale on the artist’s Bandcamp page.
*****
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By davesumner • Jazz Recommendations - 2016 releases • 0 • Tags: The Bandcamp List