Feb 11 2019
The Round-up: I was still holding that postcard
Here is some very good new music.
Geof Bradfield – Yes, and…Music for Nine Improvisers (Delmark Records)
While nobody is ever gonna mistake the music of Geof Bradfield for traditional, the roots of jazz have long been at the heart of his recordings and it’s not unusual for the pulse to slip into a familiar old-school cadence. It’s an aspect of his music that has made past recordings so damn enjoyable. Be that as it may, it’s equally refreshing to hear something where the balance shifts more to the modern end of the spectrum. His newest isn’t free jazz by any means, but an emphasis on improvisation means that structure and shape of any one piece isn’t necessarily something that can be anticipated. The saxophonist’s line-up consists of personnel who have received the spotlight from these parts previously, and often: Alto saxophonist Greg Ward, flutist-saxophonist Anna Webber, trumpeters Russ Johnson and Marquis Hill, trombonist Joel Adams, guitarist Scott Hesse, bassist Clark Sommers and drummer Dana Hall. Music from Chicago.
Artist site | Listen | Buy: Amazon
Zela Margossian Quintet – Transition (Art as Catharis Records)
The Armenian influence is just delightful on this session from Zela Margossian. The pianist keeps a conversational chatter going throughout, and the brisk pace hangs in the air even when her quintet shifts into a lower gear. There’s something about the fusion of modern jazz and old folk music that makes for such an engaging convergence of time and place and expression. Music from Sydney, Australia.
Artist site | Listen | Buy: Bandcamp – Amazon
Ari Chersky – Fear Sharpens the Dagger (Self-Produced)
This is one of those recordings where the creativity doesn’t end after the last notes are performed. What began as a live performance eventually moved into the studio for the long work of overdubbing, cut & paste, layers atop layers, additions where needed, and resulted in something quite different than what went in through the front door. Ari Chersky has created something quite beautiful and strange. There’s some ambient textures whose bloom yields something far more volatile and lively, and there are rich passages of complexity where the details reveal tiny universes within. Fans of Bill Frisell’s Unspeakable phase or, perhaps, some of the new century ECM from Arild Anderson and Miroslav Vitous should give this one a listen, for sure. Music from Brooklyn, NY.
Artist site | Listen | Buy: Bandcamp – Amazon
Orcastratum – Orcastratum (Compunctio Records)
There is something undeniably inviting about the atmosphere created by Glenn Scott‘s Orcastratum project. A blend of modern and contemporary jazz, R&B, pop and a strong undercurrent of blues all come together in seamless fashion. Guest musicians like kora master and vocalist Solo Cissokho, saxophonist Binker Golding and vocalists Shaneeka Simon & Eric Bibb (who end the album with the powerful “No Need”) prove the value of embracing the benefits of diverse expressions.
Artist site | Listen | Buy: Amazon
First Gig Never Happened – Mingus without Bass, Monk without Hat (Alessa Records)
It’s pretty easy to fall for these renditions, re-arrangements and inspirations of classic Mingus and Monk tunes. The trio of drummer Judith Schwarz, keyboardist Alexander Fitzthum and saxophonist Lisa Hofmaninger keep in the spirit of the source material, and this is true during the faithful reproductions of compositions and when they channel their own vision of things. The loose demeanor of their take on “Fables of Faubus” and how they twist that melody into something a bit different is emblematic of the serious fun this album has to give. Hofmaninger switching over to bass clarinet results in some of the album’s most riveting moments. Music from Vienna, Austria.
Artist site | Listen | Buy: Amazon
Feb 18 2019
The Round-up: I never really slept anymore
Here is some very good new music.
Jorge Rossy Vibes Quintet – Beyond Sunday (Jazz & People)
For many, the name Jorge Rossy will be associated with the drums via his long stint in Brad Mehldau’s trio, and so it’ll always be a refreshing change of pace for those times when he leads out on vibraphone. This modern session with saxophonist Mark Turner, guitarist Jaume Llombart, bassist Doug Weiss and drummer Al Foster has a rhythmic drive at its core, but it’s their melodic compulsions that steer each tune. In fact, it’s a formula not far removed from Rossy’s FOX trio with Pierre Perchaud and Nicolas Moreaux. There are some subtly captivating passages on this recording. Music from Barcelona.
Artist site | Listen | Buy: Bandcamp – Amazon
E Scott Lindner – Port of Dreams (Infinity Gritty)
This album has been a refuge for me since it first got on my radar. This post-jazz recording from E Scott Lindner has a massively cinematic presence, inciting in me imagery so strong that I remain convinced that I must’ve seen it originally on a movie screen. Incorporating a bevy of wind instruments and strings go a long way to explaining the rich textures and soothing harmonies Port of Dreams has to deliver. Of those contributions, familiar names like Tomoko Omura, Hailey Niswanger, Sara Schoenbeck and Andrew Gould are among the album personnel. There are moments this album is so beautiful that I feel like my heart can’t take it all in and remain in one piece. Music from NYC.
Artist site | Listen | Buy: Bandcamp – Amazon
Piet Verbist Quartet – Suite Réunion (Origin Records)
Piet Verbist is far more off the radar than he should be. The bassist has a real talent for creating modern works that balance expertly between new- and old-school forms of expression. The axis of this meeting point is where deeply melodic forays and from-the-heart blues occupy the same space, unconflicted. His latest is yet another example, and well worth scooping up. Note that Bram Weijters is the pianist in Verbist’s quintet; Weijters is a site favorite, and is on a whole bunch of new releases right now. Music from Antwerp, Belgium.
Artist site | Listen | Buy: Bandcamp – Amazon
Johnaye Kendrick – Flying (Self-Produced)
Johnaye Kendrick first hit my radar via her captivating vocal contribution to John Ellis’s 2014 release, MOBRO. Her sound is one that generates a huge feel out of a seemingly effortless delivery, and it’s a quality that she puts to excellent use on her sophomore release, Flying. While Kendrick certainly knows what to do with a ballad, it’s an upbeat track like “Scorpion” that really allows her innate tunefulness to shine bright. Pianist Dawn Clement, bassist Chris Symer and drummer D’Vonne Lewis keep to a straight-ahead sound that’s a perfect fit for this session’s choice of originals and renditions. Music from Seattle, WA.
Artist site | Listen | Buy: Amazon
Alfie Copoví Trio – Flight (Sedajazz Records)
I’m really taken with this modern trio session from the Alfie Copoví Trio. They craft a pretty melody, nothing fussy, and then let it sail for as long as the breezy rhythm will take it. Sometimes it’s hints of gospel, sometimes hints of the blues, sometimes the music hops, but mostly this music grooves. Music from Valencia, Spain.
Artist site | Listen | Buy: Bandcamp
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By davesumner • Jazz Recommendations - 2018 • 0 • Tags: Alfie Copoví, Antwerp (Belgium), Barcelona, Bram Weijters, E Scott Lindner, Infinity Gritty, Jazz and People, Johnaye Kendrick, Jorge Rossy, Mark Turner, New York City, Origin/OA2 label, Piet Verbist, Seattle, Sedajazz Records, Self-Produced, The Round-Up, Valencia (Spain)